Showing posts with label Caliban. Show all posts
Showing posts with label Caliban. Show all posts

Sunday, October 30, 2011

Tempestuous

On Saturday our class went on a second field trip, this time to see The Tempest by the Pioneer Theater Company.

I had a lot of thoughts and reactions to the play, but they're not very cohesive. So I'll just write some down and see how it goes.

The set was very impressive. In a way, it was simple, in that it was plain, wooden platforms. But, the platforms went three stories. And, in what I thought was a great addition to Shakespeare's play, the play began with Prospero and Ariel adding more to the set, as if they were in the workshop getting ready to make a big storm. With theater magic, Prospero lowered lanterns and a windmill, and a few other whimsical contraptions.

Did anyone notice Miranda's "tomboy" tendencies? I noticed at one point in the play she wasn't, as my dad would tell my sisters when they were younger, "sitting like a lady." And there was also the time when she playfully slugged Ferdinand. And, of course, it makes sense that she would act like a tomboy! She's spent the last 12 years as the only human female on the island. I thought that was a nice idea for playing the part of Miranda.

Another thing about Miranda I noticed was that the very first time Caliban showed up in a scene, Miranda began to gather up her skirts, as if she was preparing to make a run for it. Did anyone else notice that? I thought that was another cool idea, that she would just bring her guard up whenever Caliban was around, almost as if by instinct.

Our carpool group stayed after the play for the Q&A session with the actors. And we noticed how similar Prospero and Ariel were to the actors who played them. We could tell that Julia Motyka, who played Ariel, had a background in dance before she said it out loud. Because not only did she move her hands a lot while she talked, but her hands flowed. She said she got married not too long ago, and on her honeymoon in Africa she noticed the way that birds moved, and that became her inspiration for how Ariel would move. And Craig Wroe, who played Prospero, seemed sort of unapproachable in the way that he talked and answered questions, maybe a little arrogant. I know Chris in particular had a question to ask, but decided against it.

I noticed in the program a message from the art director, talking about why he loved The Tempest and what it meant to him. He also mentioned that this was his last play, so I wanted to ask him about the link between Shakespeare using this play as a farewell and himself bidding adieu with this play. But, unfortunately, he wasn't there for the Q&A.

I also would have liked to ask Paul Kiernan, who played Caliban, where he got his inspiration. If Ariel was based on birds, what animals was Caliban based on? But he didn't come out on stage for the Q&A either. Probably because of all the make up he had to take off. (To me, he looked like Shrek with dreadlocks.)

Well, those are a few observations to start out with. I look forward to reading the other blogs in my class* and learning what they thought of the play.

*Look at the links on the right side of the page.




Wednesday, October 26, 2011

Figment of Imagination

Did anyone feel like The Tempest ended too quickly?

I think I would have liked to actually see Ferdinand and Miranda get married, or Ariel be freed, or the comeuppance of Caliban, Stephano and Trinculo, or Prospero reinstated as Duke of Milan. But Shakespeare leaves the play open-ended.

Of course, I thought of Act V, Scene II of The Winters Tale, when Shakespeare portrays the cathartic family reunion with a conversation among witnesses, instead of the actual reunion. When I blogged about it, I thought maybe the purpose was to show off Shakespeare's descriptive writing skills, and let the audience imagine what that reunion must have been like.


Is that what Shakespeare is doing here with The Tempest? I think so, but there might be another element to it. I think it plays into the mystique and fantasy of Prospero's island. The whole play takes place on the island, and magic and supernatural powers are in every scene. It makes the whole play seem like a dream sequence.

What if it's all a dream, and Prospero wakes up and he's still on the island and still not the Duke of Milan?

Monday, October 17, 2011

Bring me that horizon

So for now I'm moving on to the next assignment in my Shakespeare class: The Tempest.

I don't know anything about The Tempest, other than I remember seeing the "Wishbone" episode way back when. ("Wishbone." Man, what a great show that was.)

Here's something cool that I found in the first scene:

"Boatswain: Do you not hear him? You mar our labour; keep your
cabins: you do assist the storm.

Gonzalo: Nay, good, be patient.

Boatswain: When the sea is."

I like the boatswain talking about the sea as if it's a real person, as if the sea could be patient or could use some assistance in its storm. It seems like that's how a real sailor would talk, especially one in Shakespeare's day who was probably more superstitious and more likely to believe in Poseidon, Neptune, etc.

And I also thought it was interesting that, even though everyone on the ship thinks they're going to die, the royalty still apparently thinks there's time for complaining to the sailors. I think it's a sign of the "divaness" of the upper class, that in the middle of a deadly storm they feel so inclined to clash with the "blue collar crowd." Seems to me like "straightening deck chairs on the Titanic."

----------------------------

Now, on to Act I Scene II: What do all these people have in common?

Luke Skywalker

Harry Potter

Mia Thermopolis from The Princess Diaries

Woody from Toy Story 2

Perdita from The Winter's Tale

Miranda from The Tempest

That's right - they all had secret identities and destinies that are revealed to them in a major plot point of their stories.

Why do you think that element is used so often? Is it because we all have that wish? To someday miraculously find out we are something more than we thought? That we "smack of something greater than ourselves"?

----------------------------

When Prospero said that Caliban was "A freckled whelp hag-born—not honour'd with a human shape," I thought, "Well, then what does he look like?" Click here for the ideas some people have come up with.

A lot of them remind me of Gollum, which makes sense, because Caliban does seem like quite the contemptible little creature.

----------------------------

The Tempest will be our next field trip, this time to Salt Lake City. I wonder how they're going to show the storm in the first scene...I'm guessing it will probably be like this:


...just kidding.