Showing posts with label Cordelia. Show all posts
Showing posts with label Cordelia. Show all posts

Monday, November 7, 2011

King Lear and the Twitter

In going over my midterm progress with Professor Burton last week, he challenged me to broadcast my blog and my views on Shakespeare out into the real cyber world. A blog might be considered social media, but usually it's just a one-sided conversation unless people are brought to it. A blog is like a tree that falls in the forest and doesn't make a sound unless someone is there to hear it.

So I'm trying to look for Twitter conversations about #KingLear to jump into. My plan for now is to see what conversations are already going on, and see if I can add to them and also link to my blog. We'll see how it works.

Here's what I've got so far:

1) I found someone named @NaadiShirodkar who compared herself to Cordelia:


It looks like she wasn't really talking about Shakespeare, but she must be at least familiar enough with King Lear to have Cordelia pop into her mind when she felt like expressing some personal frustration unrelated to Shakespeare. Interesting. And I wonder what she'll think of my blog post if she reads it. Will it help her feel better about being a "good character" and knowing that they win out in the end?

2) A literature teacher posed a question that a lot of people responded to. So I gave an answer as well.


You can read other responses to @TeenBoyLitCrit's question by clicking here.

3) I saw a hashtag going around for #SixWordShakespeare or #6WordShakespeare. Some of them are pretty funny (although beware of non-BYU-appropriate language). I did my best to add to the conversation with a link to my blog post.


So, we'll see if the Twitterverse answers me.

Here are some other funny or interesting tweets I saw about King Lear.

1) This is from that same literature teacher who tweets for @TeenBoyLitCrit:


2) Here are couple of #SixWordShakespeare tweets, one funny and one interesting:



3) And somebody tweeted a link to some King Lear-related comics. They're only sorta funny, but Anthony especially might get a kick out of the the one titled "Cameo."

Was blind, but now, I see



The figurative meaning of "sight" and "vision" in King Lear is an obvious message that Shakespeare wants to get across. But I still wanted to share something I thought was cool about it anyway.

Lear: Out of my sight!
Earl of Kent: See better, Lear, and let me still remain
The true blank of thine eye.

I noticed the juxtaposition of these two lines, how King Lear is commanding Kent to do something and Kent is commanding King Lear to do the exact opposite. It's easier to see the "command" if you understand a Spanish translation:

Lear: Sal afuera de mi vista!

Conde de Kent: Vea mejor, Lear, y déjeme que yo siga como el marco verdadero de su ojo.

The words in bold are in Spanish command form.

So far, I don't see Kent as having an independent streak and wanting to rile up the king, like Paulina in The Winter's Tale. Kent seems like the kind of guy where if he is provoked, then something must be really wrong.

Beyond the actual action of the play, I think it's easy to see Kent as an embodiment of the voice of reason. Therefore, what King Lear is actually doing is telling reason to leave, and Kent is telling the king to use reason, and let it continue to be his primary focus.

How many times do we have reason staring us right in the face and yet we find a way to avoid it or ignore it? I can think of a few times when I have been guilty of it as well as family members of mine.

Another embodiment of reason is Cordelia. Did you notice that she doesn't do much to defend herself after King Lear lashes out at her? All she does is explain to the King of France what her father has done. I think it must be because, as the voice of reason, Cordelia knows reason will win out in the end (although, as we readers know, it wins out tragically).

Why do you think Shakespeare keeps Cordelia silent after her father's berating and banishing?