Showing posts with label emotions. Show all posts
Showing posts with label emotions. Show all posts

Saturday, October 8, 2011

On the Side

So, in addition to reading Love's Labour's Lost, I'm also assigned a play to read individually, separate from the rest of the class. I've been chosen to read Julius Caesar.


Julius Caesar is one of the few Shakespeare plays I've already read; I read it my sophomore year in high school. But, of course, reading it again will bring new meaning and new understanding, because I'm nine years wiser. Not just wiser in a sense of understanding Shakespeare, but also in experience. Just like the scriptures have new meaning every time we read them, not because the scriptures change but because we change, even if it's not the first time reading Julius Caesar, I'm sure I will still benefit from it. When I first read it, I barely had my driver's license and had never had a girlfriend. Now, I'm married with a daughter and preparing for law school. So, you could say I've changed a lot.

Anyway, to preview Julius Caesar: it's one of Shakespeare's more famous tragedies. From what I remember, it's more about Brutus and Mark Antony than actually about Caesar. It's the source of the famous phrases "the ides of March," "Et tu, Brute?" and "Friends, Romans, countrymen, lend me your ears."

And, to get a little deeper, there is a lot of political thrill and drama, something that I love in a book, movie, TV show, etc. The political drama in Caesar's time or in Shakespeare's time can easily be adapted to the modern world, and often is made manifest in reality. Politics and history today still displays betrayal, paranoia, and emotion over reason.

I originally thought this blog would combine politics and Shakespeare, hence the blog's name. I haven't done much of that, it seems like I mostly relate Shakespeare with pop culture. But maybe Julius Caesar will lend itself to more political discussion.

So, here's my learning plan for reading Julius Caesar:

1) I will post on the blog after reading each act, like I do with our other assigned plays. This will be in addition to my regular assigned blog posts.

2) On the blog, I will try to connect Julius Caesar to more political themes and concepts, with examples from history or the news instead of examples from "Family Matters" or Abbott and Costello.

3) It looks like there is one other person in my class who was assigned Julius Caesar, Averill Corkin. So I'll be sure to read her blog, make comments and discuss the play with her on our two blogs. From her first blog post about Julius Caesar, it looks like she'll be reading with a focus on the history - whether it's historically accurate, what role the portrayal of history played in Shakespeare's society, etc. So it will be interesting to look at the play that way, and see if that overlaps with my political perspective.

4) Also, I'll be watching film versions of Julius Caesar. From what I can tell, there are three Hollywood movies based on the play: a 1950 version with Charlton Heston as Mark Antony, a 1953 version with Marlon Brando as Mark Antony and a 1970 version with Charlton Heston once again as Mark Antony. Without even seeing the films, I have a few questions: why was there a remake of Julius Caesar only three years after the first one? Is it like what happened with The Incredible Hulk? And what are the differences between Charlton Heston's performance in 1950 and in 1970? Do any of these movies make references to political goings-on at the time the movie came out? And, does Marlon Brando make Mark Antony sound like an old gangster or a dockworker?

Here's one of my favorite Charlton Heston moments (skip to the :58 mark):

Monday, September 19, 2011

Sit right back and you'll hear a Winter's Tale

Here's a sort of hodgepodge of thoughts I've had while reading Acts II through IV of The Winter's Tale:

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- I found three instances of characters comparing their characteristics as if they are measurable.

Paulina, talking about Hermione: "... a gracious innocent soul, More free than he is jealous."

Paulina, talking about herself: "... no less honest Than you are mad ..."

Hermione, in her testimony for the court: "You, my lord, best know, Who least will seem to do so, my past life Hath been as continent, as chaste, as true, As I am now unhappy."

It looks as though Hermione and Paulina should be understood as the opposite of Leontes. Where Leontes is the nadir, Hermione and Paulina are the zenith.

Also, do we do this in real life? Do we say "I'm as good at" something "as he or she is bad at" something? Do we compare ourselves to others with exact quantities?

Another way to think of it: Does the worst day of your life counterbalance the best day of your life? Does one unit of happiness equal one unit of unhappiness? Or does a little bit of happiness outweigh a lot of unhappiness? Or is it vice versa?

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- I noticed two references very close to each other to shoulders.

Clown, when describing the bear attack he just saw: "And then for the land-service, to see how the bear tore out his shoulder-bone; how he cried to me for help and said his name was Antigonus, a nobleman."

Autolycus, when he is faking an injury to take advantage of the Clown: "O, good sir, softly, good sir! I fear, sir, my shoulder-blade is out."

The two events are 16 years apart in the story, and on either side of an intermission while watching the play. But when you read it, they seem like they are right next to each other. So I guess it might be a way that Shakespeare is playing with the fast-forward through time. Or, is it a foreshadowing of what is to come? Should this injured traveler's shoulder remind the Clown of Antigonus' shoulder being eaten by a bear? Should he be anticipating the story coming full circle? Should we?

Huh, I don't know, maybe I have a thing with the symbolism of body parts.

Speaking of bears, here's Jim and Dwight having an academic discussion on what bear is best:  

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http://images.askmen.com/celebs/men/entertainment_200/230_james_bondlarge_image-1.jpg
- A pretty obvious connection with Polixenes spying on his son and Polonius wanting to spy on his, right? One thing that is different to me is that Polixenes is doing it himself, instead of sending someone else with instructions of how to spy. What does that say about Polixenes? Is he more paranoid than Polonius? Or more of a "do-it-yourselfer" than Polonius?